![]() The work encompasses a wide field of vision from high to low and near to far and this gives the piece multiple points of focus from the carefully rendered plants in the foreground to the sheer sides of the buildings to the distant mountains silhouetted at the end of the valley. Castrovalva also demonstrates Escher's early interest in spatial relationships and his attempts to capture three-dimensionality on paper. This drama is heightened by the overall darkness of the image and the strong contrast between these tones and the paler highlights. ![]() Like many of his Italian works, this is a detailed and accurate portrayal but despite the image's realism it maintains an air of fantasy. In these he explored depictions of the landscapes, towns, and buildings that he encountered on his extensive travels around the country. This image is part of the body of work that Escher produced in Italy from 1923 to 1935. Over the course of his 60 year career he produced a total of 448 prints, an average of only seven or eight a year. The process to create his detailed and precise images was time-consuming and required a great deal of skill and manual dexterity.
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